Wednesday, 7 November 2012

An insiders view on Britten Sinfonia Academy



Imogen (Academy harpist) writes about her experience during the first ever courses with Britten Sinfonia Academy, our new ensemble for talented secondary school aged musicians from the east of England. The group was formed in September and has since made their debut at West Road Concert Hall, Cambridge, Norwich Theatre Royal and the Barbican Centre in London.


In early September, Britten Sinfonia Academy met for their first day together and spent the day at West Road improvising and getting to know each other. Since then we have worked with Britten Sinfonia players towards performances together in Cambridge, Norwich and London. Over the past few months we met up for a few weekends of rehearsals and started to prepare for the three Birthday concerts. The first concert was in Cambridge and it was great to be able to show all our hard work. Playing at Norwich was really relaxing as we had played the music before and it was interesting to play in a new acoustic. The performance at the Barbican was great! We rehearsed in the morning and spent the day together before playing in the evening. It was fantastic to play in such a prestigious venue and I had such a great time.

The Academy has been a really wonderful experience so far and I have learned many useful skills from the way Britten Sinfonia work. It has taught me how important it is to really think about crafting the music and paying attention to detail. Working without a conductor gave me a chance to have a direct influence on how the music was played. So often when you are playing in an orchestra you have to play the music the way the conductor wants you to play it so it was great to have the opportunity to find my own voice. The vibrant energy and wide musical knowledge of all the players from Britten Sinfonia has really inspired me in both my ensemble playing and my practice. Rehearsing in such detail made me realise how important every element of the music is whether it is the articulation of a single note or a simple lead into a phrase. It has taught me more about listening to others and the importance of communication between players whilst performing and rehearsing music. Working with members of Britten Sinfonia and Britten Sinfonia Academy has been brilliant as it has helped me to develop as a musician and as a player.

The positive energy and virtuosic playing of everyone is so exciting and I can’t wait to see what happens next with the Academy. I have enjoyed every minute of the Academy so far and am learning more and more every time we play together. Britten Sinfonia do not come together to play the music - they come together to be the music. It has made me love music even more which I didn’t realise was possible! Thank you to everyone involved with the Academy.

To find out more about Britten Sinfonia Academy click here

Monday, 5 November 2012

Meet Gabrielle Deschamps


Gabrielle started work at Britten Sinfonia as Development Assistant a couple of months ago. Gaby has been busy organising the receptions for our recent 20th birthday concerts but found the time to answer a few questions about herself;

What has been the highlight of your career so far?

Trying caviar for the first time at the Waitrose yearly party organised at the Orangerie in the Kensington Palace whilst I was managing a String Sextet.

When are you happiest?
When I’m surrounded by the people I love and we are laughing so hard I can’t breathe.

What is your greatest fear?
Our irrevocable replaceability: “I mean, they say you die twice. One time when you stop breathing and a second time, a bit later on, when somebody says your name for the last time.”  Banksy

What is your earliest musical memory?
My mum singing all the Liza Minelli, Barbra Streisand and Shirley Bassey classics. Then being 5 and telling everybody I wanted to be an Opera “diva”.

Which living person do you most admire, and why?
I would lie if I said anybody else than Beyonce Knowles. Some classical musicians would do well to follow her lead and let their inhibitions let loose!

What was your most embarrassing moment?
When I let my inhibitions a little too loose and my skirt dropped to the floor when I was on stage and I had to run off to the dressing-rooms and cover my shame.

What is your most treasured possession?
A grand piano that is a family heirloom. It’s in bad shape and hasn’t been tuned in decades but my life-ambition is to restore it to its former glory.

What would your super power be?
I cannot share this publicly. Suffice it to say there would be far fewer wars as people would be too busy elsewhere!

If you were an animal what would you be?
A honey badger.

What is your most unappealing habit?
Auto-cannibalism. That makes it sound way worse than actual: I just eat and pick a lot at the skin around my fingers and it’s quite unappealing and incredibly painful.

What is your favourite book?
El amor en los tiempos del cólera by Gabriel García Márquez. A romantic story that is wonderfully and realistically flawed. Hopefully I will know such a sweeping passion!

What is your guiltiest pleasure?
Eating two chocolate éclairs one after the other.

Who would you invite to your dream dinner party?
Serge Gainsbourg and Whitney Houston.

If you could go back in time, where would you go?
The American 60’s as they had The Doors, Janis Joplin and Jimi Hendrix.

Monday, 22 October 2012

Photos from the last 20 years

Here's a selection of photos from the Britten Sinfonia archive from the past 20 years;

An early publicity photo of Britten Sinfonia


1994 - Britten Sinfonia with Sir Michael Tippett  at the 50th anniversay performance of A Child of Our Time
1999 - Huw Watkins and Nicholas Cleobury

1999 - Britten Sinfonia's BBC Proms debut



A publicity photo from the early 2000's featuring Miranda Dale
2006 - Imogen Cooper and the Britten Sinfonia taxi in Norwich
2006 - Moondog recording session with Joanna MacGregor and Seb Rochford

2009 Performing at Latitude
2009 - Greenpeace concert in the Earth Dome, Poznan
2010 - James MacMillan and Nicholas Daniel rehearsing for the premiere of MacMillan's Oboe Concerto
2011 - Violinist Ali Read in Mexico rehearsing with a youth orchestra

2012 - Britten Sinfonia's debut in New York
2012 - Relaxing in the Big Apple



Thursday, 18 October 2012

Colchester Music of Place 2012 Workshops




On a hot, sunny September Saturday (yes, its only weeks since t-shirt weather!), Britten Sinfonia’s Creative Learning department arrived at Colchester’s Firstsite gallery for a morning of creative music-making workshops.  Armed with a van-load of instruments, we set up camp in a lovely curved room overlooking the lawn and welcomed three groups with people of all ages as workshop leader James Redwood guided us through rhythm and group composition games.  Some participants brought their instruments; others just their enthusiasm and willingness to pick up a drum, shaker or xylophone and chime in.  We even had the mayor of Colchester join in!

Using the gallery, and the juxtaposition of old/new and rural/industrial found in the town around it as inspiration, members of the public, assisted by Britten Sinfonia musicians Ali Reid (violin), Andrew Webster (clarinet) and Adam Mackenzie (bassoon) composed short pieces and performed them to one another.  These pieces can be heard by following the links below:

Group 1
Group 2
Group 3

The Music of Place was a collaboration between Britten Sinfonia, Orchestras Live, Colchester Borough Council and Colchester Arts Centre.

Friday, 12 October 2012

Mr Big makes friends in Cambridge

Last weekend Mr Big visited Cambridge and made lots of new friends! Children and their families came along to West Road Concert Hall and enjoyed our interactive family concert presented by Hannah Conway. The performance featured live illustrations on stage from Mr Big's author, Ed Vere. Below you can see some photos taken at the performances as well as some of the fabulous feedback which we have received.



Ed Vere



"...having Ed Vere there was wonderful – to see him create his beautiful drawings was really special."






"My little girl and I were spell bound. Hannah Conway was totally and utterly brilliant and couldn’t be a better role model for any child."


"I brought my two boys, aged 4 (just) and 5 ½ and they were fully engaged for the entire production."





"One of the fantastic violinists even stopped and let Abigail ‘play’ – it was incredibly kind."







"a huge THANK YOU to you all for such an amazing concert."







If you came along to one of our Mr Big concerts and would like to let us know your thoughts please complete our feedback form here.
All photos copyright Isobel Timms.