Meet Angela Hewitt

Acclaimed pianist, Angela Hewitt will be joining Britten Sinfonia in January 2013 for a tour featuring  works by Beethoven. Although currently touring abroad Angela found the time to answer a few questions about herself.

What has been the highlight of your career so far?

I suppose my 2007-2008 Bach World Tour in which I performed Bach’s Well-Tempered Clavier in something like 110 concerts on six continents in 26 countries.

When are you happiest?

When a performance, either by myself or by a friend, goes beyond the very good level to the somehow very special. You know when that happens, and it’s the best thing there is.

What is your greatest fear?

I don’t really have any huge fears except not learning my notes in time for a concert. Everything else pales in comparison.

What is your earliest musical memory?

There are many—I have no idea which came first—but playing the toy trumpet I got as a present when I was two is one of them. I also got a toy piano at that age.

Which living person do you most admire, and why?

I admire a lady in Canada who is 95 years old and who still walks up eight flights of stairs every day and does sit-ups.

What was your most embarrassing moment?

When I was performing as a ballerina in the Polonaise from Eugene Onegin and my petticoat fell off. It was at a grand ball, and my ballet teacher was sitting at one of the tables. I remember to this day the look she gave me.

What is your most treasured possession?

My Fazioli concert grand piano on which I make my recordings.

If you were an animal what would you be?

I would rather be a bird so that I could sing.

What is your most unappealing habit?

I practise all the time.

What is your favourite book?

I don’t have a favourite book, just as I don’t have only one favourite piece of music. There are many. I love the programme notes of my friend, the late Michael Steinberg, who wrote “The Concerto”, published by OUP. When I read it, besides always learning something, he is once more in my company.

What is your guiltiest pleasure?

Listening to Laura Pausini’s “Strani Amori” at full blast.

Who would you invite to your dream dinner party?

It would be nice to have Bach, Couperin, Handel, Scarlatti and Rameau all together at the one table. The five great Baroque keyboard composers. I would expect them all to play, of course!

If you could go back in time, where would you go?

To Beethoven’s house to hear him improvise at the piano.

How do you relax away from the concert platform?

I have regular Swedish deep tissue massage.

What do you consider your greatest achievement?

Passing my driving test in London, driving on the left with gears. I cried when the examiner told me I had passed (I was 43 years old).

What is the most important lesson life has taught you?

Talent is nothing without work and discipline.

In a nutshell, what is your philosophy?

I don’t think I have any philosophy. I just try to do my work well, keep going, be positive, love my friends, and eat healthily.

Angela performs with Britten Sinfonia at the Theatre Royal Norwich on Tuesday 8 January, West Road Concert Hall in Cambridge on Friday 11 January, Birmingham Town Hall on Sunday 13 January and London's Barbican Hall on Wednesday 16 January.

A View from the Audience

As our 20th Birthday season approaches we've been asking audience members their thoughts on Britten Sinfonia and what event has been a highlight for them. Roger Rowe, a regular audience member in Norwich picked out one of his highlights;

Britten Sinfonia entered an already-rich Norwich music scene some 10 years ago like a breath of fresh air. During the course of that time I must have attended most of their evening  and lunchtime concerts and I cannot recall ever coming away without feeling that I have experienced something very special. To my mind this has been for two reasons. Firstly the players are of the very highest calibre and although a sizable band they play with the sensibility of chamber musicians always listening to each other, giving a wonderful feeling of  making music for the first time. Secondly their programming is always fresh and original, often juxtaposing works which on paper look odd bed-fellows but which always work in performance - and presenting newly commissioned works in a context which makes them relevant. This is particularly true of the imaginative lunchtime chamber series which have featured many new pieces alongside established favourites.

The highlights over the years? - well there have been so many, but I remember vividly their collaborations with international visiting artists especially Pekka  Kuusisto, Alina Ibragimova and Angela Hewitt – and then, most recently of all, there was an unforgettable performance by Mark Padmore of a newly commissioned song cycle The End by Jonathan Dove.   

Britten Sinfonia are popular visitors to Norwich. I congratulate them on their 20^th anniversary season and look forward to their visits here for many more years to come. 

Roger Rowe MBE

We will be celebrating  our 20th anniversary in Norwich on Tuesday 23 October with a special birthday concert at Norwich Theatre Royal - you can find out more details here. the orchestra will also be performing special birthday concerts in Cambridge and in London.

Tour of South America

I’m snatching some time prior to boarding my (14 hour) flight home to London from Buenos Aires. The orchestra meanwhile, after two concerts at the Theatro Colon and with concerts in Rio and San Paulo behind them, are now off to Montevideo and then a return to Sao Paulo for the final concert of this epic South American Tour.

Well so far it’s been a hugely successful tour. How does one qualify successful though? With this group it’s about more than the performances; more about the camaraderie and joie de vivre that also reflects positively on the concerts – a good example of how important touring is for achieving the highest artistic results. Certainly the strings have been on cracking form, led by the unique genius (a description I don’t use lightly) that is Pekka Kuusisto. His innate and edgy musicality inspires performances that are never the same and always electrifying. The rapport is there for all to see and was also evident with our tenor Allan Clayton, whose roles ranged from singing Purcell to Britten so movingly, as well as being our encore triangle player! Fresh in my memory this morning is an extra encore last night from Pekka for audience and orchestra: a Finnish tango (yes, really) with the violin plucked and strummed like a mandolin and the tune expertly whistled by our multi-talented soloist. The 2300 porteños who filled the Colon cheered their approval.

A few other random memories (from too many to mention)…

· A three hour tango lesson for the orchestra, and dancing into the early hours in on of BA’s finest tango halls where they took to the dance floor with many of the locals.


· An impromptu party in our San Paulo hotel after the first concert, where we were joined by our great friend Angela Hewitt who coincidentally was playing in a concert in the same hall as us earlier on that day. (Angela wisely avoided Caipirnaha – Brazil’s national (and lethal) cocktail – being sampled by everyone, as she was due to play the Goldberg’s the next afternoon!)


· The BS running team following a route along Copacabana & Ipanema beach followed by freshly coconut milk for all.

Ipanema Beach

Coconuts

· Too many delicious meals to mention, many a number courtesy of our generous sponsors Ashmore Brasil and Cambridge University Press.

· Entertainment (usually at airports and backstage) from two young recruits - Rachel Byrt’s and Suzanne Lose’s daughter and son respectively – Yoga, tango, monopoly all demonstrated admirably. On returning to school their answers to “what did you do the in holidays” should provide for colourful responses.

· An inspirational (and moving) workshop performance at the Institute Felix F. Bernasconi – courtesy of support from the British Council - with Pekka and 3 of our players and 20 or so young musicians from across Buenos Aires.

Young people in concert


· Some of the said young musicians reaction on seeing the Colon & mixing with the orchestra backstage – awestruck!

Teatro Colon

I’m sure there will be more to report following the next three or so days in Montevideo and Sao Paulo before the journey home*… my flight’s been called so “ya me despido” for now.

David
Chief Executive, Britten Sinfonia

* I hear the orchestra’s Montevideo flight has been cancelled; the new plan is to go by ferry to Mondevideo (3 hours!) to arrive just in time for the show at 8pm! Let’s hope they make it!