Meet Joy Farrall

Joy has been Britten Sinfonia's Principal Clarinet since the orchestra was founded. She is also a founding member of the Haffner Wind Ensemble, with whom she has broadcast and toured widely. As a recitalist and concerto soloist Joy has appeared in all the major London concert venues, playing with such orchestras as the Philharmonia, the English Chamber Orchestra, the Ulster Orchestra, the London Mozart Players, City of London Sinfonia and Britten Sinfonia.

In this blog post Joy discusses various highlights of her musical career so far (as well as the odd embarrassing moment), her favourite pastimes and superpower of choice.


What has been the highlight of your career so far?
Every concert really as I am delighted that Britten Sinfonia, which has become my musical home, has so many dates in the diary. I feel lucky to be employed to do what I do.

When are you happiest?
When I have time to reflect after a busy but exciting patch of work.
 
What is your greatest fear?
Roller-coasters!

What is your earliest musical memory?
Listening to ice skating music whilst my parents practised their ice dance. Torville and Dean they were not, but the music was great.

Which living person do you most admire, and why?
Numerous colleagues who find time to give their all to their families and students despite the demands of a rigorous performing career.

What was your most embarrassing moment?
Going on stage in Spain to perform a concerto and tripping on the lovely (but totally impractical, and warned against) pair of new purple shoes bought especially for the occasion.

What is your most treasured possession?
I am not really a collector of things!

What would your superpower be?
To appear and reappear through a Harry Potter style port key so as to cut out travelling to and from concerts.

If you were an animal what would you be?
A dog for the deaf and blind. A worthy job to do but plenty of lolling around with guaranteed friendship, food and affection.

What is your most unappealing habit?
Behaving like the world is about to end if I haven't got a reed to play.

What is your favourite book?
Any historical novels.

What is your guiltiest pleasure?
Blue cheese and biscuits and a glass of champagne.

Who would you invite to your dream dinner party?
A jolly good cook as I am hopeless at anything other than the basics.

If you could go back in time, where would you go?
Back to my college days with all the knowledge I have now.

How do you relax away from the concert platform?
Seeing family and friends, playing tennis and being outdoors walking or in the garden.

What do you consider your greatest achievement?
Getting this far!

What is the most important lesson life has taught you?
Forgiveness... I can try to play better in the next concert.

In a nutshell, what is your philosophy?
Concentration and focus is the key to understanding.

Listen to Joy...

Live: Joy is appearing in Britten Sinfonia's TAKE TWO: Oliver Knussen in Focus One performance on Sunday 25 October at London's Milton Court Concert Hall. The programme is centred on the orchestra's wind players and features Berg's Chamber Concerto for piano and violin and Oliver Knussen's Requiem - Songs for Sue. Click here for more info.

On Spotify: Listen to Britten Sinfonia's 'Discover: Knussen wind players' Spotify playlist of recordings from the wind players performing in Britten Sinfonia's TAKE TWO: Oliver Knussen in Focus One programme (including Joy), and the works featured in this concert.

On the radio: Britten Sinfonia's At Lunch 1 concert from the 2014-15 season - featuring music for wind quintet - will be broadcast by BBC Radio 3 at 1pm on Friday 16 October. Tune in live or listen again online here.

Introducing Sinfonia Students

What is a Sinfonia Student?

Sinfonia Students is our one-year voluntary scheme, offering students valuable experience in arts administration. The scheme is currently open to students in Cambridge and, for the first time in 2015-16, London. Initially built from the orchestra's partnership with the University of Cambridge (as its Orchestra-in-Residence), the scheme has grown over the past two years to now work with students from Anglia Ruskin University, Guildhall School of Music & Drama and the Royal College of Music.

Through this role, Sinfonia Students gain insight into the workings of a professional chamber orchestra as they work alongside the marketing team to promote concerts to the student community via print and digital media. They also receive great rewards and build a relationship with the orchestra with free concert tickets, a full week work experience in the offices, and the opportunity to write posts, such as reviews of concerts, which are published on our blog.

A manageable commitment 

The role of Sinfonia Student is different from a typical arts internship and allows students to work alongside the marketing team throughout an entire season, gaining insight into marketing strategies and techniques as they unfold. From personal experience, it is not always easy to commit to a full-time 3-6 month internship; they can be highly competitive, and costly in travel expenses if you do not already live in the city and the organisation is only able to reimburse a certain amount.

With the Sinfonia Students scheme, we wanted to create a manageable and flexible opportunity, that students could easily commit to while still balancing their studies and free time... 

"The role of Sinfonia Student really is one of flexibility and creativity. I was keen to apply, however I was aware that any commitments I made might be too much; on the contrary, I found that the experience was completely manageable, and yet that I could get as much back as I put in, which is so useful." 

(Carl, Sinfonia Student 2014-15)

A unique opportunity

During the year, Sinfonia Students implement and help to develop marketing strategies built for their university peers and have regular contact with Britten Sinfonia's marketing team. They also develop a relationship with the organisation as they spend a week in the office working with different departments, and have gone on to make professional contacts through events such as our Composers Workshop.

"When applying for the Sinfonia Student position, I had no idea how many new doors would open from this opportunity! Meeting some of the players and conductors has enabled me to make professional connections, and the whole experience has given me skills which I can take to other music administration jobs."  

(Simone, Sinfonia Student 2014-15)

Valuable experience for future jobs

In the competitive world of arts administration jobs, experience in the industry is becoming even more crucial when applying for a first job, and this type of valuable experience is something that being a Sinfonia Student can provide. Not just looking good on a CV, the role provides the opportunity to take on real responsibility and engage with developing marketing ideas that can make a first job application really stand out.

"Being a Sinfonia Student allowed me to acquire valuable work experience. I am now more confident that I can go into a working environment after graduating with the practical skills one may not acquire by solely completing their course of study."  

(Arseniy, Sinfonia Student 2014-15) 

"Being a Sinfonia Student has been particularly helpful: it provided me with experience in several areas relating to the fields in which I wish to work, something which employers value, without being stressful or unreasonably time consuming." 

(David, Sinfonia Student 2014-15)

Great fun

With free concert tickets, opportunities to attend rehearsals and the chance to make new friends, what's not to enjoy? Our Cambridge Sinfonia Students from the 2014-15 season enjoyed their experience so much they have volunteered to mentor the 2015-16 Sinfonia Students, providing additional support and advice as they begin the role.

Applications for Anglia Ruskin University and the University of Cambridge students are open until Friday 16 October. Click here for more information about the role and how to apply.

"If you're considering a career in arts admin or marketing, then this is definitely worthwhile!" 

(Emma, Sinfonia Student 2014-15) 

"This is a student experience with a professional orchestra not to be missed!" 

(Simone, Sinfonia Student 2014-15)

Read Carl's review of At Lunch 4 here.
Read Simone's experience of the 2015 Composers Workshop here.

Karys Orman
Marketing Coordinator

Anna Clyne on composition

In January 2016 Britten Sinfonia premiere a new work by Anna Clyne, commissioned by Britten Sinfonia and Wigmore Hall with support from the Britten-Pears Foundation, for our 10th anniversary At Lunch series. Anna is one of the composers you can support through the Musically Gifted campaign. Find out more about Anna in this blog post as she answers questions about herself and her music...


What’s your earliest musical memory?
My earliest musical memory is hearing my mother signing nursery rhymes. My first deeply moving experience of a live concert was hearing Nigel Kennedy perform Beethoven’s Violin concerto.

What do you like most about composing?
It’s a wonderful opportunity to meet and collaborate with other artists, and to get lost in one’s imagination.

What inspires you?
I find inspiration in a myriad of things – it’s different for each piece – it could be a choreographer, an artist, an image, or a simple melody. I’m about to start work on a new piece for one hundred cellos, so for that piece it will be the very unique sonority, and how the lines interact, that will inspire the piece.

What advice would you give to aspiring composers?
Stick with it! A career in music takes time – it’s still very much a grass roots trajectory, building relationships with musicians, composers, conductors, artists and ensembles. Work closely with friends who are musicians to learn the intricacies of writing for those instruments, find like-minded artists, take risks in your music, and reach out to other artists that inspire you.

What’s your musical guilty pleasure?
When I’ve finished a day’s work of composing, I like to blast something completely different to cleanse the ears – something upbeat, and often with lyrics so that I can sing along whilst I’m closing up shop. Fitting the bill have been Lily Allen and Mae West, or if I’m after something a little calmer, I’ll call upon Nat King Cole or Nina Simone.

If you turned your iPod on now, what would be playing?
My musical appetite is all over the map, but most recently I listened to Roomful of Teeth – I’m finishing up a new piece for them and have been listening to their latest album to find inspiration in their unique sound. I’ve also been listening to vocal music by other artists/composers such as Trio Mediaeval, Clarice Assad, Purcell and Bernstein.

The last concert you saw?
Last weekend, I heard two totally different, but totally wonderful concerts – the Baltimore Symphony performing Rachmaninov’s Rhapsody on a Theme of Paganini with soloist Olga Kern, Strauss’ Alpine Symphony and the East Coast premiere of short piece of mine, Masquerade, under the direction of Marin Alsop – followed the next day by Tree of Codes with music by Jamie XX, choreography by Wayne McGregor and visuals by Olafur Eliasson in New York.

If you hadn’t been a musician, what might have happened?
I’ve always had a wide range of interests. If music weren’t an option I would have loved to study more languages and if I had a completely different skillset, I would have loved to become an astrophysicist. 

Which musical instrument do you wish you could play, and why?
I’m a rusty cellist, but I wish I could play the fiddle well. There’s something about folk music that I’ve always loved – from Scottish tunes heard during my time at Edinburgh University to old-time music and the blues in Chicago. It would be great to be able to pick it up and play. And it’s so much more portable than a cello!



Anna's new work will be premiered during our At Lunch series in January and will feature soprano Julia Doyle. Performances take place at Norwich's St Andrew's Hall on Friday 15 January, Cambridge's West Road Concert Hall on Tuesday 19th January and London's Wigmore Hall on Wednesday 20th January. Click here for more info and to book tickets.



This Lunar Beauty by Anna Clyne has been commissioned with support from the Britten-Pears Foundation.

Meet Frederieke Saeijs

Ahead of performing Oliver Knussen's Violin Concerto as part of our TAKE TWO: Oliver Knussen in Focus double-bill this October, violinist Frederieke Saeijs took some time out of her busy schedule to answer some questions about her musical career so far.

What has been the highlight of your career so far?
Every concert is unique and therefore a highlight in a way, but if I have to choose I’ll go for this upcoming performance of Oliver Knussen’s violin concerto with Britten Sinfonia. I have never before performed a violin concerto under the baton of the composer himself. It will be a great opportunity and inspiration to work so closely together with the very creator of the piece and such an experienced ensemble. I’m looking forward to this experience incredibly!

When are you happiest?
When hugging my son Maxime and my partner Arjen at the same time, in a true family “group hug”!

What is your greatest fear?

In a way, fear itself.

What is your earliest musical memory?

Hearing my father (harpsichord/piano) and my mother (flute) play sonatas by J.S. Bach together.

Which living person do you most admire, and why?

One of the many persons I admire is Mauricio Fuks, my former professor at Indiana University. Somehow he is able to read the soul of his students through their playing, as if he had a sixth sense. Also, he knows exactly how to encourage each student by handing out the right tools to perfect technique and to connect to ones own unique musical voice. He has surely contributed greatly to my development as a violinist and artist, for which I’m very thankful.

What is your most treasured possession?

My violin, crafted by Petrus Guarneri in 1725. The instrument is not actually my possession, but thanks to the Dutch National Foundation for Musical Instruments I have the chance to play on it. This violin has become an extension of my body over the past 8 years.

What would your super power be?

I’d like to be able to fly and play Quidditch!

In real life I hope to touch the hearts of the people in the audience through my violin. Music has the potential to create magic and to “give wings” to the listener. So, I intend to use the bow as a magic wand and make the music fly

If you were an animal what would you be?

I’d love to be a seahorse…floating elegantly and peacefully through the sea.

What is your most unappealing habit?

Nibbling a cookie (or other sweet) and putting it back on the plate it is served from

What is your favourite book?

Harry Potter

What is your guiltiest pleasure?

To drink a soy chai tea latte, accompanied by a Dutch “stroofwafel” (syrup waffle)…yummie!

Who would you invite to your dream dinner party?

Jascha Heifetz, Fritz Kreisler, Eugène Ysaÿe, Georges Enescu, Jacques Thibaud, Pablo de Sarasate…all phenomenal violin masters of the past!

If you could go back in time, where would you go?

To the workshop of Pietro Guarneri in Venice, 1725, to witness the birth of my violin and to hear it’s first notes being played.

How do you relax away from the concert platform?

I love to salsa dance. Especially after many hours in the same posture (which for the violin is not the most natural one), salsa helps to shake everything loose. Also the happy music instantly puts me in a good mood and helps to get over any sense of fatigue.

What is the most important lesson life has taught you?

To embrace the “here and now” and to count your blessings.

In a nutshell, what is your philosophy?

Seize the day: carpe diem!

*** 

Join Britten Sinfonia, Frederieke Saeijs and Oliver Knussen for this performance of Knussen's Violin Concerto - alongside Tippett's Concerto for Orchestra and works by Mozart and Stravinsky - on Wednesday 28 October 2015, 7.30pm at London's Barbican Hall. Find out more.

Read Frederielke's biography here

Partnerships with Music Education Hubs

Arts Council England recently launched a short film about Music Education Hubs and the work they do to create music education programmes for children and young people.




Britten Sinfonia has been working closely with the Music Education Hubs in the east of England over the past few years and Mateja Kaluza (Creative Learning Co-ordinator) outlines some partnership highlights from the coming season; 

Our partnerships with the Music Hubs across the east of England are central to our Creative Learning programme in 2015-16 and strong relationships with Cambridgeshire, Norfolk and Peterborough hubs have helped us to identify areas of need and to shape exciting, dynamic, meaningful and impactful engagement opportunities for schools, families and young talent.

2015-16 season highlights include:

Cambridgeshire:
The Cambridgeshire Music Partership has been an unflagging development partner and funder of Link Ensemble, Britten Sinfonia’s pioneering integration project for young musicians with special educational needs  and their non-disabled, GCSE classmates at Comberton Village College. The highly successful pilot year across both the 2014-15 and 2015-16 seasons will culminate in a public performance at Saffron Hall, 6.15pm on Saturday 21 November in which the ensemble will demonstrate the compositional techniques they have developed over a series of intensive courses and premier their resulting works.


Norfolk:
Norfolk Music Hub’s commitment to whole-class instrumental learning is supported by Britten Sinfonia in an annual wider opportunity Celebration Day. Having undertaken a year of Wider Opportunities whole class learning, Key Stage 2 children are inspired by the orchestra in a massed ensemble workshop and performance engaging over 300 children on a range of instruments for an immersive playing experience.Read all about the 2014-15 celebration day here

Creative Learning at Lunch workshops allow students to explore new music with Britten Sinfonia's musicians and a workshop leader, and to attend Britten Sinfonia’s At Lunch concert series. Working closely with Norfolk Music hub to identify schools which will most benefit from this opportunity, workshops are tailored to schools needs and are suitable for Key Stage 3 and 4 or GCSE group.


Peterborough:
Working closely with Peterborough Music Partnership, the 2015-16 season will see Britten Sinfonia run a major Key Stage 3 Ensemble project involving 4 secondary schools, 120 participants and live-streamed performances to 1000 primary school children. This project is closely tied to Britten Sinfonia's mainstage programme with artistic roots in Strauss’ Metamorphosen (performed in Cambridge on 27 April 2016, Norwich on 29 April 2016 and in London’s Milton Court on 1 May 2016) encouraging the young musicians to explore cultural context and the compositional concept of many individual parts (and performers) working together to create a single work. 

As in both Norwich adn Cambridge we are also committed to supporting Peterborough Hub in providing excellent music education opportunities for young instrumentalists who then have the opportunity take part in a  mass ensemble playing alongside our musicians as part of an annual series  Let’s Play workshops.

Our commitment to working with young musicians with special educational needs or disabilities also reaches to Peterborough where in 2015-16 the hub will support our work with Phoenix Special School.


With such an exciting season ahead, in the Creative Learning team we arelooking forward to further developing the invaluable relationships with the music hubs sharing best practice and professional expertise to help young people discover, explore and celebrate music.

To find out more about our Creative Learning programme click here

Meet Elizabeth Hunt

In another post in our occasional series of Q and A's with soloists, musicians and staff our Development Manager, Elizabeth Hunt answers a few questions. Elizabeth (otherwise known as Izi) is responsible for all our fundraising initiatives from individual donors to our friends scheme, to raising funds towards commissioning new works.

When are you happiest?

At home (I’m a bit obsessed with my house, as it’s my first and I only moved in 6 months ago!) in my garden reading a book or magazine with a cup of tea, listening to the birds sing!

What is your greatest fear?

Losing my family or experiencing a natural disaster first-hand. But I try not to think about those things, so I don’t really have a ‘greatest fear’ in the sense that it affects my day-to-day life. Hopefully no-one really has those!

What is your earliest musical memory?

My elder sister practising for and singing in a school nativity called ‘Hosanna Rock!’ in a little church in the village where we both went to primary school.

Most treasured possession?

I have a few! I am very sentimental so I have quite a lot of things that I hold on to and like (possibly also known as junk) but one thing I love is a little figurine of a dancer (called Esmerelda), which belonged to my grannie – I think it was the first gift that my grandpa gave to her when they were courting in the 1950s. And my house (or more realistically my mortgage?)

What would your super power be?

Being invisible might be quite fun… The power to convince everyone that environmental problems matter and they should take care of the environment, especially bees. Basically I’d be Bee Woman! The environment is so important and there’s so much more, even small things, that people can do to help preserve biodiversity and the planet, so it would be good to have greater influence on that.

If you were an animal would you be?

Giraffes are my favourite animal but I’ve always liked the idea of being a cat, so I could sleep all day in the sunshine. In a garden.

What is your favourite book?

For a while it was The Time Traveller’s Wife (Audrey Niffenegger), and then I read The Luminaries (Eleanor Catton). And The Rehearsal (also by Eleanor Catton) was great – though I’m still trying to work it out so I’ll definitely be reading it again... I’d happily take these three to a desert island and read them over and over.

What is your guilty pleasure?

Eating too much chocolate and too many cakes and biscuits in the office!

What is the most important life lesson you have learnt?

Never accept anything, or anyone, for that matter, at face value.

What is the first thing you do when you get into the office in the morning?

Check my work emails, log in to Raiser’s Edge, and see if anyone has already made a round of tea!

What has been your biggest achievement so far during your time at Britten Sinfonia?

Managing the Development Department for a couple of months while we were between Directors. And tidying the stationery room.

Favourite musical moment from the Britten Sinfonia concerts you have been involved with?

Well it’s a favourite music and dance moment, but definitely See the Music, Hear the Dance in November 2014 at Sadler’s Wells.

What was the last piece of music you listened to?

It was probably something on Jamie Cullum’s jazz show on Radio 2. And I’m hugely excited to be seeing Punch Brothers live this weekend.

What is your favourite item on/around your desk?

My plant, known as Wilma, who my lovely colleague Karys bought for me! (see picture)

Would you like to share a desk selfie with us?
Yes!

To find out more about the work of our development team and how you can support Britten Sinfonia click here

Elena Langer on composition

In April/May 2016 we premiere a new work by Elena Langer, commissioned by Britten Sinfonia with support from the William Alwyn Foundation, and the Musically Gifted campaign. Find out more about Elena in this blog post as she answers questions about herself and her music...


How would you summarise yourself in one sentence?
Impulsive

What’s your earliest musical memory?
My granny’s drunken singing at parties

What do you like most about composing?
As a child I preferred composing to playing piano because it was less repetitive and took less time

What inspires you?
Bad weather

When was the last time you experienced writers’ block, and how did you move on from it?
Last block was last week. Moved on from it like all proper composers – with alcohol!

How do you feel about new music and what we’re trying to do with Musically Gifted?
I personally prefer old music, but Musically Gifted sounds like a good idea

What would you like to be recognised for?
For my delicious beetroot salad

What advice would you give to other young composers?
I should quote Sofia Gubaidullina here who said to an overly prolific colleague of mine – ‘don’t pollute the atmosphere!’

What’s your musical guilty pleasure?
Lutoslawki’s Chain 2

If you turned your iPod on now, what would be playing?
I haven’t got an iPod!

The last concert you saw?
Handel’s Saul at Glyndebourne

If you hadn’t been a musician, what might have happened?
I would have become a better and more roundly educated person

Which musical instrument do you wish you could play, and why?
Percussion – because there are so many of them and maybe it would develop my sense of rhythm…

Any plans for the summer?
To swim

Is there anything else you want to share with the world?
I wrote an opera ‘Figaro Gets a Divorce’. It will open at the Welsh National Opera in February of 2016 – I would like the world to come and see it!


Elena's new work, Story of an Impossible Love, will be performed during the Benjamin Grosvenor programme performed on Wednesday 27 April 2016 at Cambridge's West Road Concert Hall, Friday 29 April at Norwich's St Andrew's Hall and on Sunday 1 May 2016 at London's Milton Court. Click here for more info and to book tickets.