We were saddened to hear of the death of Richard
Rodney Bennett over the festive period. Richard has had a long association with
Britten Sinfonia and will be sorely missed not only by us but the worldwide
music community.
Over Britten Sinfonia’s 20 year history we have
performed and premiered many of Richard’s works – most notably we commissioned
and gave the first performances of his Seven Country Dances in 2001, a piece
specially written for the orchestra and our principal oboist Nicholas Daniel.
The Times critic, Richard Morrison in his review in 2001 said “The Seven Country Dances poaches its
melodies from a 17th-century English fiddle-tune collection, Playford's Dancing
Master. But any notion that this is some sort of straitlaced
"authentic" transcription is swiftly dispelled. Whether boisterously
rustic or achingly melancholic, the Playford tunes are merely starting-points
round which Bennett weaves ardent rhapsodies full of purple harmonies and plump
textures. Both in style and spirit they evoke the early 20th-century folk-song
arrangements of Vaughan Williams, Grainger and Warlock: light music, certainly,
but immaculately crafted.”
We also recorded his Partita for Orchestra for the
cover disk of BBC Music magazine in 1996. Co-commissioned by the Association of
British Orchestra and BT this work was performed by seventeen different
orchestras between October 1995 and July 1996 as part of the BT Celebration
Series. Bennett said at the time “I
responded to this exciting but rather daunting commission by writing a lively
and I hope very accessible piece, which, I decided before I started composing,
should be full of tunes.”
On a more personal level Richard was President of
Britten Sinfonia during the late 1990’s/early 2000’s – a time in which he was a
great support and friend of the ensemble. David Butcher, Britten Sinfonia Chief Executive also remembers fondly his most recent visit to New York, during which Richard, his good friend and publisher, Gill Graham and
he played Scrabble late into the night at Richard’s apartment.
We will be performing Richard’s Tom O’Bedlam’s Song in our next At Lunch series of performances
later this month. Our 2012-13 At Lunch series is focussing on Benjamin
Britten’s chamber music alongside his influences and contemporaries, and
Richard was certainly an important contemporary of Britten’s who alongside
other 20th century composers cultivated a distinctly ‘British’
character for their music. Scored for tenor and cello accompaniment, Tom O Bedlam’s Song will be performed by
Mark Padmore and Britten Sinfonia’s principal cellist Caroline Dearnley. The
anonymously written poem from which the text derives dates from around 1600 and
describes an inmate of the Bethlem Royal Hospital for people with mental
illness, providing the ideal inspiration for Richard’s modernist musing on the
idea of madness.
For more details of our At Lunch concerts taking place in Cambridge (22 Jan), London (23 Jan) and Norwich (25 Jan) click here . We will also be performing this concert as part of Brighton Dome's Coffee Concert series (20 Jan) - for more information click here
