Music from the Baltics

This July Hyperion Records release Kreek’s Notebook, a fascinating album of spiritual songs from the Baltics. In recent years, Britten Sinfonia has performed a number of works from the Baltic states, generally identified as those countries east of the Baltic sea – Estonia, Latvia and Lithuania. All three countries were formerly part of the Soviet Union; however despite Soviet control retained much of their individual identity.

There is a deeply rooted tradition of folksong in all three countries, exemplified by what became known as the ‘singing revolution’ – the term coined following the spontaneous mass night-singing demonstrations in Tallinn that helped lead to the restoration of independence of the Baltic states. Britten Sinfonia Voices director Eamonn Dougan agrees: "So much amazing choral music has come from the Baltic states in recent years and they enjoy such a strong singing tradition." I however, was not familiar with music from this area of the world except for the works of the ever-popular Estonian Arvo Pärt and so it has been a journey of discovery for me in recent months.

Much of the work we have performed from the Baltic states has been vocal repertoire and this includes the music heard on Kreek’s Notebook. The main work on the album by Estonian Tõnu Kõrvits is based on the traditional melodies collected by Cyrillus Kreek (the Estonian equivalent to Bartók and Grainger) in the early 20th century whilst presenting a contemporary view of these folk hymns.

“This is a lovely work that casts its spell immediately” International Record review on Kreek’s Notebook

A previous Britten Sinfonia release on Hyperion is Ēriks Ešenvalds powerful yet subtle Passion and Resurrection described by an audience member as “music that is as moving as it is unforgettable even on a first hearing”. There is a fascinating podcast available with Ēriks Ešenvalds and Bob Shingleton available here which explores culture, education and religion in Lativa.

Our most recent performance project once again involved a new work by Ēriks Ešenvalds entitled AQUA, performed by both the orchestra and Britten Sinfonia Voices and featuring resonating wine glasses. Personally I found the piece both mesmerising and serene and I’m sure it will become a popular work amongst choral ensembles.

However the work that has had the biggest impact on me from the Baltics in recent months has been Pēteris Vasks Distant Light (written in 1977) which we performed in February with the stunning violinist Alina Ibragimova. Before our performances I had listened to Gidon Kramer’s recording of the work and was impressed by its range and expressiveness. Vasks’ style is deeply rooted in Latvian folk music and in the archaic folklore upon which this is founded, while combining these ancient elements with the challenging language of contemporary music. I saw the performance at the Barbican and had my breath taken away by the sheer range of emotion and total intensity of the piece bought to life by Alina. Pēteris was in the audience and after the concert bounded backstage beaming from ear to ear – he was obviously thrilled with the performance too.

I look forward to discovering more music from the Baltic states next season. In November we perform Errki Sven Tüür’s Lighthouse and also Arvo Pärt’s enchanting Cantus in Memoriam Benjamin Britten and I’m sure more will be programmed in future seasons such is the strength of the compositional talent emerging from these countries.

Claire, Marketing Director

Alina Ibragimova and Britten Sinfonia: an ongoing collaboration

Alina Ibragimova once again joins Britten Sinfonia in late February/early March for the tour of our Baltic Nights programme. Alina has been a regularly collaborator with Britten Sinfonia, first performing with us in 2006 for our At Lunch series of concerts. Aged only 21 Alina, performed lunchtime concerts in Krakow, , Aldeburgh, Cambridge, Norwich and London.

Alina rehearsing in Krakow with Huw Watkins and Joy Farrall

The programme for these At Lunch concerts featured the premiere of Huw Watkins Dream (later released on Britten Sinfonia’s Songs of the Sky CD), Michael Zev Gordon’s Fragments from a Diary and works by Stravinsky and Bartok.

Alina arriving at the Assembly House in Norwich in the Britten Sinfonia taxi

In 2007 Britten Sinfonia joined Alina in the studio to record Concerto Funebre for violin and orchestra by the little known composer, Karl Amadeus Hartmann. Hartmann is a figure unique in German music - the only composer to stay put and defy Hitler for the duration of the Third Reich and his Concerto Funèbre, written in 1939 was a protest against Hitler’s occupation of Prague. Released by Hyperion the disc also features Hartmann’s Suite No’s 1 and 2 and Sonata No’s 1 & 2 for solo violin.

Alina and Britten Sinfonia went on to perform Hartmann’s Concerto funebre in Cambridge and Norwich. Returning to Norwich and Cambridge in 2009 for concerts entitled Bach Plus Alina performed music by Bach and Kurtag. The towering genius of Johann Sebastian Bach was the focus of these concerts, which contrasted four of his works with two seminal 20th-century pieces by Berg and Kurtág. Bach two surviving violin concertos were played by Alina.. Kurtág’s acknowledgement of his debt to Bach in his Signs, Games and Messages, which includes ‘Hommage à J.S.B.’, an exploration of a Bach-like melodic line also saw Alina take centre stage, amazing audiences with her technical ability and artistic flair. Bach Plus was also performed in Inverness and Monmouth.

Later in 2009 Alina performed Vaughan Williams’ beautiful Lark Ascending in concerts with Britten Sinfonia in aid of the Great Fen Project.

Alina has described how she loves working with Britten Sinfonia “Playing with Britten Sinfonia is never boring… they have their own take on things and aren’t afraid to do so”

In celebration of Britten Sinfonia’s 20^th Birthday in 2011 Alina joined forces with another of the orchestra’s long-term collaborators, Pekka Kuusisto for a performance of Bach’s Double Violin Concerto at our Barbican birthday celebrations.

Alina rehearsing at the Barbican (c) Ben Ealovega

Alina & Pekka enjoying the applause after their performance at Britten Sinfonia's Birtdhay concert (c) Rhydian Peters

We’re really looking forward to working with Alina again. She will perform one of the two surviving Bach Violin Concerto’s alongside a beautiful and ethereal violin concerto by Latvian composer, Peteris Vasks entitled Distant Light. You can see Alina talking about the programme in our short film about the Baltic Nights programme

The concerts take place at Cambridge West Road Concert Hall on Monday 25 February, Wednesday 27 February at London’s Barbican and Sunday 3^rd March at Norwich Theatre Royal. To find out more about the concerts and to book tickets click here